For the first Wednesday art post, Kane has selected the photo collage work of Erica Baum. Erica is represented by the New York gallery Bureau. Baum’s work is a quiet but intensely resonate examination of looking, fragments, slices, folds, traces. Dynamics of power enfolded in the mundane. A sly challenge to the habits and presumptions of form.

Untitled (Simbolismo), 1994, (Blackboards), gelatin silver print, 20 × 24 inches. Courtesy of the artist and Bureau, New York.

Untitled (Simbolismo), 1994, (Blackboards), gelatin silver print, 20 × 24 inches. Courtesy of the artist and Bureau, New York.

Erica Baum, A Methode of a Cloak, 2020, exhibition view, Markus Lüttgen, Düsseldorf

Erica Baum’s photographs examine the ways we use language to classify, index, and assert knowledge. Working primarily with obsolescent media from the twentieth century—card catalogs, player piano rolls, sewing patterns—Baum isolates serendipitous interactions among fragments of text and the surrounding visual field. Her carefully disorienting framing, as well as her more active interventions, grant a poetic charge to these encounters.
— Rajesh Parameswaran

Photo Credit: Bureau NYC

Artviewer, Markus Lüttgen, Düsseldorf, Germany

Quote Credit: Rajesh Parameswaran, BOMB Magazine

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