This week’s art selection features the work on noted conceptual artist and teacher Charles Gaines. Gainses’s work engages formulas that interrogate relationships between objective and subjective realms. Using many forms - photography, musical composition, sculpture, video, etc. - Gaines examines identity and power and the fault lines of capital’s utopia. His is some of the most engaged and ambitious work being made today.

His work belongs to a branch of conceptual art concerned with processes and systems. The aim was to remove subjectivity from art by following self-determined rules and procedures. His breakthrough came in 1973, with his “Regression” series, in which he wrote sequential numbers in the squares of a hand-drawn grid to generate an amorphous form that grows from drawing to drawing, each generating the next. ‘One of the joys was the fact that I could experience things that I couldn’t predict, that I couldn’t anticipate.’
— Johnathon Griffin

Photo Credit:

Colossal,Through Monumental Sculpture of Moving Chains, Artist Charles Gaines Confronts the Enduring Legacy of American Slavery

Paula Cooper Gallery, Charles Gaines

ARTFORUM, Differing Equations: The Art of Charles Gaines

LA Times, How the dense grids of artist Charles Gaines took the ego out of art, Carolina A. Miranda

Jonathon Griffin, Charles Gaines

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Jean Luc Godard

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Wade Guyton